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Finally, an album! So, without further ceremony, here are my impressions... first up is Driving School, which elicits mixed reactions. It's technically precise. It has appropriate special effects mixed in. Frankly, I've heard it better live; it lacks the passionate edge which is the band's strength at gigs, and single Love Your Sons And Daughters isn't a great deal more distinctive. Pleasant, but it doesn't really display much character until the final stanza. For people who don't already know The Keys... well, neither of these tracks is a stand-out piece which will have them salivating expectantly.
From Tense To Loose To Slack quickly improves things. After meandering, the album really begins to kick in, rolling along with sleazy rawhide riffs and horns. Apparently this will be the next single, a reassuring choice. Strength Of Strings, an earlier single, is another great guitar-driven piece, flowing well but distinctively from the previous track and building a lively rhythm. It establishes good continuity.
Like those two, Gurl Next Door (the first single) really sounds as if the band were enjoying themselves when they were recording. Light, tinkling and enchantingly harmonised, it boasts some nice lyrical touches and likeable boyishness.
If Not For You stands alongside and in the mould of the best Mull Historical Society material. I really like it, though it may slow the overall pace of the album a little too much too soon.
Simple is easily my favourite non-single track. Featuring distorted percussion and as heavy a riff as The Keys are inclined to offer, this song takes a mouthful of a line ("it was my intellectual property but now it's yours") and pulls it off to fine effect. Question is another slower track, with slightly muffled vocals. Some very soothing guitars but wouldn't really lose anything without the lyrics. All-in-all a poor follow-up track to ‘Simple', which should have been Don't Go Weird On Me Babe. The sampled banter of the intro and semi-ironic country and western stylings on this one do it credit.
With All The Drugs In The World, we're back in Mull Historical territory. Honestly, a better thing to do would have been to put the energetic tracks first on the album, grouping more blissed-out material such as this here where it works best. Again, some beautifully soothing instrumental parts.
Animus is moody guitars and mumbling for almost eight minutes. Unless you're really in the humour, maybe not the case after listening to only just over half an hour of other material, you'll likely be rooting around for another CD. The 'hidden' sequence We Shall Be Released feels too much like it was added in order to pad out the running length.
As you may have gathered, I consider this Too Pure release a mixed bag. The re-sequenced running order I'm currently playing with before thinking about including b-sides is: DWGOMB, FTTLTS, SOS, GND, S, INFY, ATDITW, LYSAD, DS, Q & A. See if you like it.
An additional reservation about this release is that it doesn't include several songs the band play live... consequently, some may feel a little resentment at paying the price of a full-lengther for what's really quite a short album. Were closer acquaintances of mine to put out a release like this, I'd undoubtedly beat them around the head and shoulders with a French stick... and yet, when all is said and done, I very much like The Keys. They feel at times more like a side project than the band which has succeeded the Hump, but manage to be thoroughly endearing and infectious in pretty equal measure. It's frustrating, because they could be out-of-this-world with a little more attention to things like sequencing, and the best suggestion I can really give is to hear them for yourself and give them a chance. I don't think you'll regret it.
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