Student Essays
At some point I'll jot down and put up some writing tips, as I never really grasped coherent extended writing until after I graduated. Some would say I still haven't.
English, year three
RT2 Literary Theory
1. "The subversiveness of a deconstructive reading of literary texts is a purely textual, not political phenomenon." (The Turn of the Screw, Henry James)
2. "The frontiers of a book are never clear-cut: beyond its title, the first line and the last full stop, beyond its internal configuration, its autonomous form, it is caught up in a system of references to other books, other texts, other sentences."
(New Writing 9, Kennedy & Fowles ed. & Yes Prime Minister, Lynn & Jay)
Science-Fiction: From Frankenstein To Cyberpunk
1. Examine the relationship between science fiction and the Gothic in Frankenstein.
2. "When science fiction looks at the future, it is really looking at the here and now."
(Neuromancer, William Gibson & Do Androids Dream Of Electric Sheep?, Philip K. Dick)
EN30930 / EN30830 - Nineteenth & Twentieth Century Literature
English, year two
EN30530 - Seventeenth Century & Renaissance
Write about the function of wit and humour in Hero and Leander. (Kit Marlowe)
EN20120 - Eighteenth Century & Restoration
EN20120 - Modern Literary Theory
‘Deconstruction is not a dismantling of the structure of the text, but a demonstration that it has already dismantled itself.’ Assess the implications of this statement.
(With reference to Winnie The Pooh by A.A. Milne, news and popular culture.)
EN34720 - Detective & Crime Fiction
1. "Detective fiction is a defensive reaction against the unknowability of the modern world." Discuss. (Primary texts for this essay: The Big Sleep, Raymond Chandler & The Adventures Of Sherlock Holmes, Sir Arthur Conan Doyle.)
2. ‘If the purpose of detection is the discovery of hidden identity, the effect of the process of detection is the forging of new identities for the characters caught up in it.’ Discuss some of the tensions that arise in the treatment of ‘identity’ in detective and crime fiction in the light of this comment.
(Texts: Beneath The Blonde, Stella Duffy & Cabal, Michael Dibdin.)
EN33120 - Women, Writing & Religion In The Middle Ages
English, year one
The earliest of these essays, often neglecting basics such as paragraph structure, complete footnotes or sufficient background reading. Learn from my mistakes.
Core Modules
1. "Compare these two editions of Dr Faustus by Christopher Marlowe." Or similar.
4. "Are there obvious links between these two poems?" Or something like that.
("Beggars" and "The Sailor's Mother" from Home At Grasmere, William Wordsworth)
3. "Discuss the direction and effect of Pope's satire in The Rape of the Lock with particular reference to his use of the mock-epic." (The Rape of the Lock, Alexander Pope)
4. "What was the value, the meaning of things" (To The Lighthouse, Virginia Woolf)
An Introduction to Genre
"The literature of the uncanny invites psychological interpretation." Discuss.
(Northanger Abbey, Jane Austen & The Confessions of a Justified Sinner, James Hogg)
Contemporary Writing
1. "Byatt's message is that art, curiosity and stories save us." Do you agree?
(Text: Elementals, A.S. Byatt)
2. "For a cult youth novel, Alex Garland's The Beach is extremely critical of youth culture." Discuss. (Text: The Beach, Alex Garland)
American Studies, year one
These last essays should mostly be taken as examples of how not to write academically. Lengthy quotation and sparse bibliography do not an essay make.
History
1. What were the weaknesses in the aims and the methods of the Abolitionists after 1830? Discuss.